Cambridge, Boston and region

For The Architectural Record, reporter Izzy Kornblatt details how the Metropolitan Warehouse was converted into the MIT School of Architecture + Planning’s signature building, a reimagining that “makes the case for the reconstituting of existing structures as a creative act of design.” Kornblatt notes: “The completion of this project also marks a repositioning of design within both MIT and Cambridge. The building gives the School of Architecture and Planning distinctness—a perceptible structure of its own. Yet one of the project’s aims...is to frame design as a set of practices and techniques that are as relevant for scientists and start-up founders as they are for architects.”   

Prof. Behnaz Farahi joins GBH’s, “The Curiosity Desk," to discuss “Ocean of Dreams,” a public art installation that projects participants’ collective hopes for the future into a “living ocean,” which is on display at Kendall Square Plaza as part of MIT Future Fest. “At the moment when we have so many conversations about the future that are shaped by uncertainty about AI, war, climate change, and displacements, I hope this work creates a space for something a little different,” says Farahi. “Before we can build a different future, we first have to be able to imagine one.” 

Star Trek’s original USS enterprise will be unveiled at MIT Future Fest this week, writes WBUR’s Nik DeCosta-Klipa for “Boston’s Morning Newsletter.” “The 33-inch model, which was used in the opening of each episode, has never been publicly displayed before on the East Coast. In fact, it was thought to be lost for decades before it popped up on eBay in 2023,” notes DeCosta-Klipa.  

The original USS Enterprise from the opening credits of the “Star Trek” series is making its debut at the MIT Museum from Sept. 30 to March 28, reports Andrew Paul for Popular Science. In the restoration process, “we were very careful not to erase her [the USS enterprise] age or the signs of wear that are part of her story,” says Roddenberry, son of the show’s creator, Gene Roddenberry. “It was important that we preserve her authenticity, so that she can continue her journey and inspire people once again.”

The 33-inch original model of the ‘Starship Enterprise,’ from the 1960s “Star Trek” series, will be on display at the MIT Museum from Sept. 30 to March 28, writes reporter Mark Feeney for The Boston Globe. “We are thrilled to have the opportunity to show this unique model,” says MIT Museum Director Michael John Gorman. The model “is not merely a prop; it’s a time capsule of human aspiration.”  

Jeffrey Riley, executive director of MIT RAISE’s “Day of AI” K-12 program, speaks to WBUR’s Suevon Lee about the importance of teaching school-aged children AI literacy skills. “Kids need to know about voice clones and deepfakes and plagiarism,” says Riley. “We need to teach kids so that they're healthy skeptics of this technology, that they mistrust and verify the information they're getting from it.”  

Emily Knight, President and CEO of The Engine  will serve as Boston’s next economic development chief, “bringing life back to empty downtown office spaces, supporting neighborhood business districts and keeping young workers in Boston as the cost-of-living soars,” writes WBUR’s Eve Zuckoff. “I want to help companies start here and grow here while making sure the jobs and industries they create are felt in every neighborhood across the City,” says Knight.  

Mayor Michelle Wu has appointed Emily Knight, president and CEO of The Engine as Boston’s next economic development chief, writes Shirley Leung for The Boston Globe. “Real estate and economic development are so deeply connected that building those relationships is absolutely a priority for me,” says Knight.  

Prof. Shafi Goldwasser and Prof. Vinod Vaikuntanathan founded the Institute for Responsible Superintelligence (RESI), “to develop mathematical principles and protocols to ensure AI models behave as intended,” writes Aaron Pressman for The Boston Globe. “You patch them [AI models] up, you test them, you patch them to make sure that they can perform to the best ability, but also not do damage,” says Goldwasser. “That’s probably not enough attention, given the fact that these things are going to become what we call super intelligent.” 

Members of MassLive’s “25 Most Influential Innovators of 2026” list, which includes President Sally Kornbluth and a number of other MIT faculty and alumni, gathered at the MIT Museum to “discuss the forces shaping the future of innovation in Massachusetts,” writes reporter Tréa Lavery. “MIT Provost Anantha Chandrakasan said about half of undergraduate students at the school are studying some form of computing, and enrollment in those courses has gone up in recent years, prompting professors and administrators to rethink how they incorporate AI into their teaching,” writes Lavery.  

The New York Times’ Christopher Hawthorne highlights the Metropolitan Warehouse as “the new central hub for the School of Architecture and Planning.” Hawthorne notes that by “slicing into the brick exterior of the warehouse a la Gordon Matta-Clark, the architects have added giant windows while hanging new studio spaces from the existing ceiling. This is adaptive reuse with some bite.”  

Akamai will honor their late cofounder Danny Lewin SM ’98, a victim of the American Airlines Flight 11 on 9/11, by illuminating their headquarters in blue the evening of Sept. 11, write Jon Chesto and Shirley Leung for The Boston Globe. “Lewin remains revered at Akamai; its highest employee award is given out each year in his honor,” Chesto and Leung write.  

In a video short, The Boston Globe’s Daniel Kool spotlights “The Living Bucentaur,” a parade of 250 people dressed in repurposed sail cloth to celebrate the opening of the School of Architecture and Plannings’ new home in the Metropolitan Warehouse. “In 1916, when MIT moved from Boston to Cambridge, they built this elaborate barge called Bucentaur. It was white and it had this beautiful decoration with angels and stucco and everyone was wearing costumes and waving tea squares,” says Prof. Azra Aksamija. “This project is in a way a reenactment.”  

MIT’s School of Architecture and Planning (SA+P) Dean Hashim Sarkis speaks to WBZ News Radio’s Emma Friedman about “The Living Bucentaur,” the Sept. 8 procession made up of 250 people, to SA+P’s new home in the redesigned Metropolitan Warehouse. “This is really a very conscious reenactment of the moment that MIT decided to move to Cambridge from Boston,” says Sarkis. “After all, moving into this building is an act of renewal.” 

MIT’s inaugural Future Fest, a new festival exploring the future of science, technology, art, and design will be held across the MIT campus from Sept. 30 to Oct. 4, writes Mark Feeney for The Boston Globe. “More than 50 events looking at art, design, science, technology, and their interactions will be held on the MIT campus,” the staff write. “Those events held at the museum will be free throughout the festival, which concludes on Oct. 4 with the Cambridge Science Carnival.”