A new exhibit at the MIT Museum spotlights the work of MIT alumnus N.G. Herreshoff, whose work greatly influenced the boatbuilding industry, reports Kari Bodnarchuk for The Boston Globe. Bodnarchuk notes that Herreshoff, “built the first modern catamarans, the first torpedo boats for the US Navy, the country’s first steam-powered fishing vessels, and America’s Cup boats.”
Cate McQuaid of The Boston Globe reviews an MIT Museum exhibit showcasing the drawings of neuroscientist Santiago Ramón y Cajal. Paired with contemporary brain imaging, the exhibition lets observers, “vault through illuminated brain matter as if you were the USS Enterprise shifting into warp drive,” writes McQuaid.
WBUR’s Maria Garcia explores an exhibit at the MIT Museum of Santiago Ramón y Cajal’s drawings of the human brain. Prof. Robert Desimone, director of the McGovern Institute for Brain Research, explains that, “there's no question that these kinds of circuit diagrams that Cajal was giving us are telling us a great deal about what makes us, us."
Allison Katz speaks with WBUR’s Pamela Reynolds about her new exhibit, “Diary w/o Dates,” which is on display through July 29th at the MIT List Visual Arts Center. As Katz explains, the work is about “calibrating various ways of internalizing time,” particularly compared to “the evenly-paced grid of the calendar/clock/grid model.”
In an article for The Boston Globe, Cate McQuaid reviews “An Inventory of Shimmers: Objects of Intimacy in Contemporary Art,” which is currently on display at the MIT List Visual Arts Center. McQuaid notes that the conceptual art in the exhibit, “plugs into perceptions of love, trust, and care.”
Writing for The Boston Globe, Cate McQuaid spotlights “Gwenneth Boelens: At Odds” and “Charlotte Moth: Seeing While Moving,” two exhibits on display at the MIT List Visual Arts Center. McQuaid writes that “individual works in the exhibitions prompt bittersweet responses to lost utopias, uncanny associations of place and time, and heightened attunement to the senses.”
Boston Globe reporter Sebastian Smee writes about the updated Arthur Ganson exhibit at the MIT Museum. Of Ganson’s kinetic sculptures, Smee proclaims that he has “yet to meet [a person] who didn’t love them,” adding that there are many “memorable works in this show — poetically conceived, superbly engineered, and patiently fabricated.”
Boston-area museums swapped Instagram accounts this week to promote and share the plethora of cultural offerings available, reports Steve Annear for The Boston Globe. The Peabody Essex Museum visited the MIT Museum and shared images of Kismet, “art from the Hart Nautical Collection; and Harold Edgerton’s stop-motion photograph the ‘milk-drop coronet.’”
Boston Globe reporter Sebastian Smee writes about Edgar Arceneaux’s new exhibit “Written in Smoke and Fire,” which is currently on display at the MIT List Visual Arts Center. Smee writes that Arceneaux’s installation “'Until, Until, Until. . .’ is a brilliant work.”
Melik Kaylan writes for The Wall Street Journal about “Syria: A Living History,” an exhibit curated by Prof. Nasser Rabbat. Kaylan writes that the exhibit is “a poignant, cathartic show. The visitor can’t help feeling awe and veneration for the immortal works of art mixed with a bittersweet sense of what humans are capable of—at their best and worst.”
Prof. Nasser Rabbat curated an exhibit at the Aga Khan Museum in Toronto showcasing Syria’s legacy and important contributions to world heritage, reports Nigel Hunt for CBC News. Prof. Rabbat hopes the exhibit will “weave from the history of Syria a glimmer of hope for the future.”
Paola Cigui highlights how the MIT Museum offers free admission on the last Sunday of the month, from September through June, in Boston Magazine’s list of free things to in Boston. “Take a look at some of their current exhibitions involving photography, artificial intelligence, holography, and many other scientific fields,” Cigui suggests.
A Boston Magazine article highlighting 47 art exhibits this fall features the Edgar Arcenaux Exhibit at the List Visual Arts Center. The exhibit combines three Arcenaux installations that use “books by well-known black thinkers to construct a hybrid of catacomb and maze.” The exhibit is on display from October 14 until January 8, 2017.
Sebastian Smee writes for The Boston Globe about a new exhibit of work by Ethan Hayes-Chute on display at the MIT List Visual Arts Center. “The whole installation is a delight — witty, full of subtle details, uncanny,” writes Smee.
WBUR’s Will Sullivan spoke with Research Scientist Felice Frankel about the new MIT Museum exhibit on science photography, which features images by Frankel, the late MIT Prof. Harold "Doc" Edgerton and Berenice Abbott. Frankel explains that to her science photography is “an art of discovery.”