MIT Morningside Academy for Design

For The Architectural Record, reporter Izzy Kornblatt details how the Metropolitan Warehouse was converted into the MIT School of Architecture + Planning’s signature building, a reimagining that “makes the case for the reconstituting of existing structures as a creative act of design.” Kornblatt notes: “The completion of this project also marks a repositioning of design within both MIT and Cambridge. The building gives the School of Architecture and Planning distinctness—a perceptible structure of its own. Yet one of the project’s aims...is to frame design as a set of practices and techniques that are as relevant for scientists and start-up founders as they are for architects.”   

The New York Times’ Christopher Hawthorne highlights the Metropolitan Warehouse as “the new central hub for the School of Architecture and Planning.” Hawthorne notes that by “slicing into the brick exterior of the warehouse a la Gordon Matta-Clark, the architects have added giant windows while hanging new studio spaces from the existing ceiling. This is adaptive reuse with some bite.”  

In a video short, The Boston Globe’s Daniel Kool spotlights “The Living Bucentaur,” a parade of 250 people dressed in repurposed sail cloth to celebrate the opening of the School of Architecture and Plannings’ new home in the Metropolitan Warehouse. “In 1916, when MIT moved from Boston to Cambridge, they built this elaborate barge called Bucentaur. It was white and it had this beautiful decoration with angels and stucco and everyone was wearing costumes and waving tea squares,” says Prof. Azra Aksamija. “This project is in a way a reenactment.”  

MIT’s School of Architecture and Planning (SA+P) Dean Hashim Sarkis speaks to WBZ News Radio’s Emma Friedman about “The Living Bucentaur,” the Sept. 8 procession made up of 250 people, to SA+P’s new home in the redesigned Metropolitan Warehouse. “This is really a very conscious reenactment of the moment that MIT decided to move to Cambridge from Boston,” says Sarkis. “After all, moving into this building is an act of renewal.” 

MIT’s inaugural Future Fest, a new festival exploring the future of science, technology, art, and design will be held across the MIT campus from Sept. 30 to Oct. 4, writes Mark Feeney for The Boston Globe. “More than 50 events looking at art, design, science, technology, and their interactions will be held on the MIT campus,” the staff write. “Those events held at the museum will be free throughout the festival, which concludes on Oct. 4 with the Cambridge Science Carnival.” 

President Sally Kornbluth and Governor Maura Healey will kick off the festivities at MIT’s inaugural Future Fest, which aims to bring “together leaders across higher education, government and tech to explore the future of science, technology, art and design across MIT's campus for five days,” writes the Boston Business Journal’s Stephen MacLeod. 

The Boston Globe’s Mark Feeney chronicles MIT’s adaptive reuse of the historic Metropolitan Warehouse into the new home of the School of Architecture and Planning. “As spaces, our studios used to be a lot more like labs, but now they are grand and full of light and celebratory in a way that hopefully enables better work,” says Prof. Ana Miljački, Head of the Department of Architecture.  

Dezeen’s Ellen Eberhardt describes how the renovation of the historic Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, maintains “details such as the building's fortress-like corner towers and crenellated corbeled cornices, while punching new windows into its two-foot-thick walls.” Eberhardt highlights how “the project included careful ‘cutting strategies’ and the application of new support systems to shift existing loads within the building to make room for modern academic spaces such as studios and makerspaces.”  

For The Architect’s Newspaper, reporter Fred A. Bernstein details the renovation of the Metropolitan Warehouse, the new home of MIT’s School of Architecture and Planning, transforming the fortress-like storage warehouse into “light-filled classrooms and studios.” The building is “going to be a living laboratory and a teaching tool for generations of students,” shares Prof. John Ochsendorf. “Twenty years ago, MIT took me inside and asked if I could see a way to reuse the building. And I said, ‘Absolutely not.’ It was hard to imagine it could be as open and light-filled as it is. That took heroics.” 

In a “radical example of adaptive reuse” and a reimagining of a historic Cambridge landmark, MIT has transformed the Metropolitan Storage Warehouse into the new home of the School of Architecture and Planning, bringing together MIT’s architecture and design programs into one connected academic hub, reports Boston Business Journal reporter Maya Shavit. “There will be new installations and new manifestations of our students’ creativity every single week,” explains Prof. John Ochsendorf. “That’s unpredictable and messy, but it’s also part of the fun of being at a place like MIT where people are constantly inventing the future.”

MIT researchers have created a new building design model that could enable engineers to construct buildings and bridges that use less materials, writes Tech Briefs’ Andrew Corselli. “Traditional topology optimization essentially starts with a blank space and tries to figure out at each point in this blank space: ‘Should there be material,’ ‘should there not be material’ from an efficiency standpoint,” says Prof. Josephine Carstensen. “Our approach populates the space with a bunch of lines that are instead candidates for ‘should there be material’ or ‘should there not be material.’ By using this line approach, we have the opportunity to have more control.”